Réalisation:
Brad AndersonScénario:
Alan B. McElroyPhotographie:
Björn CharpentierMusique:
Anton SankoActeurs·trices:
Sam Worthington, Lily Rabe, Stephen Tobolowsky, Adjoa Andoh, Lucy Capri, Will Woytowich, Ernesto Griffith, Chris Sigurdson, Stephanie Sy (plus)VOD (1)
Résumés(1)
Driving home after a tense holiday weekend with his in-laws, Ray Monroe (Sam Worthington), a well-meaning but overwhelmed family man, pulls into a rest area with his wife Joanne (Lily Rabe) and daughter Peri (Lucy Capri). The trip takes a turn for the worse when Peri is hurt in an accident and the family rushes to a nearby emergency room run by a staff with dubious intentions. After being sent away for further testing Peri and Joanne vanish and all records of their visit disappear. Ray’s concern turns into a desperate race to find his family and discover the truth of what happened to them. (Netflix)
(plus)Critiques (7)
Un thriller bien construit, dans lequel vous n'êtes pas totalement sûr de la vérité jusqu'au dernier moment. S'il pèche quelque part, c'est seulement dans la représentation des doutes du protagoniste principal, quand il renonce presque à sa conviction à certains moments. Brad Anderson n'est pas un maître comme l'était autrefois Shyamalan. Mais il s'est honorablement attaqué à un sujet exigeant, qui repose sur les détails et la précision exceptionnelle de chaque scène. Worthington est bon, suffisant.
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Dans ce thriller captivant, Sam Worthington joue le rôle d'un père de famille qui emmène sa femme et leur fille de six ans blessée à l'hôpital. Il s'endort ensuite dans la salle d'attente et, lorsqu'il se réveille, sa famille a disparu et aucun des médecins ou membres du personnel ne s'en souvient. L'intrigue est construite de manière similaire à Flightplan avec Jodie Foster, laissant également les spectateurs constamment dans le doute quant à savoir si le héros principal est un fou confus et hallucinant, ou si l'hôpital fait partie d'un complot pharmaceutique géant où tout le monde lui ment simplement. Le film oscille constamment entre les deux possibilités, ce qui maintient un niveau d'incertitude relativement stable, renforcé par plusieurs retournements de situation remarquables. Cependant, la fin est gâchée par le fait qu'en reconstituant rétrospectivement ce qui s'est passé dans le film et ce qui a été dit, on réalise qu'il y a de nombreuses lacunes et incohérences scénaristiques, alors que le film s'est dû d'être délibérément vague et ambigu pour être suffisamment dramatique et ne pas révéler la vérité trop tôt. Pour certains, cela peut sembler trop artificiel et stupide au final, mais c'est un spectacle attrayant et captivant, solidement réalisé et interprété.
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After The Call, Brad Anderson serves up another suspenseful thriller that won't leave you breathless! Sam Worthington goes to the hospital with his wife and daughter who was injured in a fall is sent for a CT scan. Hours pass and the daughter and wife are nowhere to be found. From this point on, solid paranoia sets in, where you won't know until the last few minutes whether the main character is a deranged lunatic or the hospital is hiding dark secrets. Very suspenseful, well acted and directed with an engaging plot and a decent denouement that, while not all that surprising, is satisfying enough. Recommended. There hasn't been a better suspense film in a long time. 80%.
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Well done paranoia. Suspenseful until the very end, with good performances primarily in the supporting roles, very believable atmosphere, and although somehow from the middle you can suspect a possible alternative shocking ending, you still get there with a cleverly constructed story with suspense and without unnecessary awkward moments and crutches. Worthington, probably at the limit of his acting abilities, gives a 90% respectable performance.
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Even though you have a bit of an idea from the beginning what the outcome of the story is going to be, the film still managed to blur the line between real and alternative reality until the very end. Is it a conspiracy around illegal organ sales or the complete derangement of the mind of a recovering alcoholic? You are not quite sure what actually happened at the gas station and in the hospital until the closing credits. The script manipulates the viewer's mind, alternately presenting evidence of one or another reality. The omnipresent and exceedingly disturbing atmosphere was added to by Sam Worthington's convincing performance and the unpleasant sounding music, which perfectly complemented the hospital setting.
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After watching the trailer, this was my most anticipated film of the year from Netflix (of course, aside from The Irishman). The combination of the highly talented and skilled Brad Anderson and Sam Worthington promised great things, and now I can say with a clear conscience that FRACTURED succeeded in every way. The film focuses on the performances, particularly driven by Worthington, who delivers an incredibly believable and at times chillingly convincing performance. A strong point of the film is its well-thought-out script, which excels both in dialogue and in its unpredictability. The twists and turns in the plot kept me engaged, and the creators really made my head spin (but don’t take that as a criticism—instead, by the end, I was questioning who to believe). Add to that the impressively played supporting characters and the thundering musical score (which burrows deep under your skin), and you’ve got a serious contender for thriller of the year. The ending was top-notch; you can immediately tell that this project was not crafted by amateurs. It deserves an above-average four stars, and I give it 8.5/10.
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Annonces