Réalisation:
Florent-Emilio SiriScénario:
Doug RichardsonPhotographie:
Giovanni Fiore ColtellacciMusique:
Alexandre DesplatActeurs·trices:
Bruce Willis, Kevin Pollak, Jimmy Bennett, Jonathan Tucker, Ben Foster, Michelle Horn, Marshall Allman, Serena Scott Thomas, Robert Knepper (plus)Résumés(1)
Parce qu'il a été incapable d'empêcher le meurtre d'une jeune femme et de son enfant, Jeff Talley, ex-policier de Los Angeles spécialiste des négociations en cas d'enlèvement, a tout quitté pour devenir chef du bureau de police d'une ville reculée. Il ne pouvait pas prévoir que trois petits malfrats allaient prendre en otage la famille d'un expert comptable bien moins banal qu'il n'y paraît... Conscients des enjeux, les mystérieux commanditaires de ce comptable de plus en plus louche kidnappent la femme et la fille de Talley pour le contraindre à rendosser le rôle qu'il ne voulait surtout plus jamais jouer. Face au cauchemar qui recommence, il n'a pas le droit à l'erreur. (Metropolitan FilmExport)
(plus)Vidéo (1)
Critiques (4)
Average in every respect. The beginning is quite promising, but unfortunately it quickly gets into a very sleepy rhythm from which it never gets out. It's not downright bad or boring, but it doesn't grab you, it just flows. If a wanted a proper thriller of a seemingly similar nature, I'd go for The Negotiator.
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Bruce Willis as a broken cop in a brilliantly directed film? Yes! A suffocating atmosphere, excellent performances, amazing camera work – and unfortunately, a stumbling screenplay, always making one unnecessary detour or complication richer than necessary. At one timeI would have trusted Florent-Emilio Siri with practically anything, and even long after watching Hostage, I'm deeply saddened that he didn't settle in Hollywood and now only works in his native France. With more straightforward scripts, he could have achieved so much.
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Incredibly suggestive filmmaking that bypasses the current trend of action movies by several miles. We don't get any big action set-pieces, booming electronic music, or grand speeches. Instead, Florent-Emilio Siri serves a dark, relatively simple story about a caring father for whom family means everything. The action scenes are brutal, in order to sound as realistic as possible. However, in terms of the plot, it's not as gripping as it needs to be.
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Is this Die Hard 4? With a little exaggeration, I won't be far from the truth. Young, bold French director Florent Emilio Siri firmly seized his first Hollywood opportunity and created a visually slick spectacle that, in terms of content, slightly resembles the aforementioned cornerstone of the action genre, except that it is probably two or three shades darker. The innovative grandeur of John McTiernan and the youthful progressiveness of Renny Harlin meet in a unique blend, where Siri showcases his enduring admiration for noir films, exemplified best by the most original title, Panic Room. The script borrowed a lot from this Fincher film, but there is no point in lamenting the (sometimes) excessive inspiration in other works. Instead, let there be appreciative praise for the excellently crafted tense atmosphere, lavish yet not gratuitous action, and the measured performances of the actors. Among them, Bruce Willis stands out the most, reminding us of John McClane with every move, although some may miss his iconic lines. As another stone in the foundation of its genre, Hostage may not blend in (as there are already quite a few), but it serves as a more than worthy tribute. Keep it up, Director.
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Annonces