Réalisation:
Simon KinbergPhotographie:
Tim Maurice-JonesMusique:
Tom HolkenborgActeurs·trices:
Jessica Chastain, Penélope Cruz, Diane Kruger, Lupita Nyong'o, Bingbing Fan, Sebastian Stan, Edgar Ramirez, Jason Flemyng, John Douglas Thompson (plus)VOD (3)
Résumés(1)
Une arme technologique capable de prendre le contrôle de réseaux informatiques tombe entre de mauvaises mains. Les agences de renseignements du monde entier envoient leurs agentes les plus redoutables là où l’arme destructrice a été localisée : à Paris. Leur mission : empêcher des organisations terroristes ou gouvernementales de s’en emparer pour déclencher un conflit mondial. Les espionnes vont devoir choisir entre se combattre ou s’allier… (SND)
(plus)Critiques (4)
Jessica, Diane et Penélope, peu importe dans quel film jouent ces trois-là, ça me plaît toujours – même s'il s'agit d'un désastre total. 355 est un peu un désastre, mais ces trois beautés intemporelles parviennent à le repêcher des bas-fonds. Dommage que le scénario n'ait pas été écrit par un pro qui aurait pu créer une histoire plus sophistiquée pour ce quintette d'action féminin.
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A light, female-led action flick where the casting is the best thing about it. Sure, the action is sparse and a bit underwhelming, but the actresses clearly had a blast, and I enjoyed the ride with them as a fun, relaxing watch.
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How original can a spy film be when its second scene starts with a caption: CIA Headquarters, Langley, Virginia? The feminist clique, for the 355th time this decade, is closing doors on the evil, power-hungry white masculinity producing toxic fumes. You already know who is pretending interest for their own goals, who is pretending death for the same reasons, and who is pretending not to choke on the bite they’ve taken as the director. The only surprising thing is how Penélope Cruz drained the youth from Jason Flemyng. Box office results fairly decided that this Fox Five would be a flop.
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Jessica Chastain can be very believable, for example, in roles of strong women who can mop the floor with men thanks to their brains (Miss Sloane, Molly’s Game), but when she does the same in the action genre with guns and moves, I don't trust her so much. Unlike, say, Diane Kruger, who for me is the star of The 355 and ultimately the main reason to watch until the end credits. This film makes clear the genre we are going to be in already in the first scene with the hacking of a plane. It's just a pity that it takes itself so seriously and, above all, that it's so long. It’s an average flick with several good scenes, but I’ll likely forget it soon.
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