Photographie:
Aage WiltrupMusique:
Sven GyldmarkActeurs·trices:
Ann Smyrner, Mimi Heinrich, Asbjørn Andersen, Dirch Passer, Kjeld Petersen, Carl Ottosen, Bent Mejding, Ole Wisborg, Bodil Miller, Povl Wøldike (plus)Résumés(1)
Un monstre prehistorique sort de son sommeil et declenche une serie de catastrophes. (Orange Cinéma Séries)
Critiques (3)
La version danoise d'un monstre du genre, dans lequel un énorme lézard crache du slime vert et menace Copenhague. Un film à gros budget, sérieux et réfléchi, avec un scénario cliché et des personnages stéréotypés mais bien interprétés sur le plan typologique. Oubliez l'originalité potentielle du concept européen, tout ressemble à une concurrence hollywoodienne - armée, scènes de foule, pont-levis, deux jolies blondes. Même l'attaque de la créature sous l'eau est présente. Le problème réside dans les effets visuels extrêmement mauvais, qui laissent parfois perplexe (crachat du slime vert, homme dans la coquille du monstre). Les films de science-fiction américains des années 50 étaient techniquement mieux exécutés. Quant aux séquences d'archives montrant des navires en train de couler, qui ne sont pas censées être des archives et qui auraient été coulés par Reptilicus... ergh !
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Poster tagline: INVINCIBLE! INDESTRUCTIBLE! SEE: A MIGHTY CITY TRAMPLED TO DESTRUCTION! SEE: MISSILES AND ATOM BOMBS POWERLESS! SEE: CIVILIZATION RIOTING WITH FEAR! The Japanese have their Godzilla monster-horror movies, Hollywood also has them and the British have tried them with success, so why not the Danes? But as they say, two people might do the same thing, but the result it’s not always the same. Everyone failed here, from the FX artists to the screenwriters and the second rate Danish actors, who, with deadpan performances, recite their lines mechanically like robots (with cringeworthy English), the only one at least a little alive is the actor playing the general, who on the other hand, is hysterically overacting. The FX artists failed, and I have to say that the botched model of the monster was the least of the transgressions. During the final demolition of Copenhagen, there is absolutely no interaction with the already crappy paper models of the buildings, so most of the time the rubber snake rubs its head on them, like a dog on its owner's leg, and spits green saliva in post-production, which doesn't go anywhere and looks like a marker line; and pyrotechnic effects? You can only dream about them. The inhabitants of Copenhagen, i.e. the extras, are running around in a "panic", and if you look closely you can see how they are laughing, I guess the shooting was a lot of fun. The first hour stretches out the time as much as possible, so there is a ten-minute tourist trip through the attractions of Copenhagen, spiced up with a live jazz song (nothing against it, it was ironically one of the few bright moments). And so the only thing that snapped me out of my lethargy was the disruption of the necessary genre cliché with typical characters: the professor with his beautiful daughter and the young scientist with whom the young lady falls in love, but in this case the professor has two daughters. Well, the Danes are original after all :o)
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Reptilicus is a classic product of its time. An attempt by each country to have its own monster that tries to destroy its capital city. Reptilicus doesn't excel in special effects or story; it's more of a curiosity. It's also notable as the first and so far only monster horror film ever made in Denmark.
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Photos (40)
Photo © Saga Studio
![Reptilicus, le monstre des mers - Film](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/166/351/166351913_178d74.jpg)
Annonces