Réalisation:
Chloé ZhaoScénario:
Chloé ZhaoPhotographie:
Joshua James RichardsMusique:
Ludovico EinaudiActeurs·trices:
Frances McDormand, David Strathairn, Linda May, Swankie, Bob Wells, Peter Spears, Cat Clifford, Tay Strathairn, Gay DeForest, Patricia Grier (plus)VOD (5)
Résumés(1)
Fern, veuve sexagénaire, a tout perdu lors de la crise financière de 2008. Ne pouvant plus payer les traites de sa maison, elle achète une camionnette et décide de partir en quête d'un nouvel emploi dans le grand Ouest. Au cours de ses pérégrinations, Fern croise d'autres personnes qui, comme elle, ont été jetées sur les routes par la crise... (Canal+)
(plus)Vidéo (11)
Critiques (11)
Défi cinéma – les genres : road movie. Je le recommande vivement à tous les partisans, admirateurs et défenseurs des États-Unis d'Amérique. Ne souffrant d'aucune illusion, je ne me considère pas comme un spectateur désigné pour ce film. Certes, il n’y a rien à redire sur les compétences du réalisateur et sur la photographie. Mais l'histoire ? Il n’y a pas que le cinéma pour communiquer le message sous-jacent sur la situation aux États-Unis d'Amérique. J'ai dû lutter pour arriver au bout de Nomadland, car c'était pour moi une véritable épreuve mentale. Frances McDormand et moi ne serons décidément jamais sur la même longueur d’onde. C'est maintenant derrière moi et j'espère que ce film ne gagnera pas le prix du meilleur film cette nuit, car il y a des candidats bien meilleurs !
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Nomadland is one of those films where the sound is solid, the visuals are stunning, but the acting feels a bit indifferent. While watching, I found myself reflecting on American nomads. In contrast to the campfire songs we associate with freedom and relaxation, for these nomads, it’s more of a survival mechanism—a way for people on the fringes of society to escape urban life and find solitude. Frances McDormand, as always, delivers a great performance, but the truth is, there wasn’t much for her to really sink her teeth into.
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An empathetically constructed carefree romp where everyone can find themselves at different spots. A little melancholic, a little contemplative, lots of thinking about death and the futility of human effort. And even though everything has already been more or less successfully explored in other independent works of self-discovery, Frances McDormand is so down-to-earth and "yours" that you have no defense, and with every solitary sunrise, she pricks your heart a little bit again.
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Nomandland has come out of the festival circuit with the reputation of one of the best films of the year and a clear Oscar favourite, something that may generate expectations impossible to meet for some people. For me, it’s a very decent drama with a superb Frances McDormand, but I can’t say it stands out in any significant way from many other decent dramas. On the other hand, it’s clear that, in terms of social relevance, it will surely resonate more in the US than here. 7/10
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A fragile, subtle social drama that resonated with me in a similar way as its indie brother The Florida Project did years ago, which I actually found more distinctive and more interesting. But even so, I had no problem empathising with Fren's nomadic fate and sometimes, in my late fifties, when everything at work pisses me off, I'd pick everything up and move to Kořenov in the Jizera Mountains, in the middle of beautiful nature :o) I really envied her unbridled freedom sometimes, and the nice people around her, you don’t get that in our country. Still, I have a nagging feeling that the Oscar buzz around this film is a testament to how poor last year was cinematically. In other times, in fatter years, Chloé Zhao would have collected awards only at Sundance, but now she can dream of golden baldies in her covid nightmare.
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Photos (66)
Photo © Searchlight Pictures
![Nomadland - Film](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/165/194/165194909_3fefd2.jpg)
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